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Before and After – St Helen’s Self Portrait




Before and After – St Helen’s Self Portrait

This is quite an old photo taken back in December 2010 at one of my favourite places in Tasmania, St Helens. A place I spent a lot of time as a kid and close to the beautiful Bay of Fires. St Helens is a beautiful part of the state and if you’re ever visiting, I’d put it high up in the list of places to go. It has some beautiful waterfalls, seascapes and is just a great little town.

This photograph was edited using just Adobe Lightroom. Occasionally I’ll edit 70% of my image in Lightroom and then do some remaining changes (curves, colour correction and sharpening) in Photoshop but for this image it was  all Lightroom. I really love how far Lightroom has come. Originally when it was first released I was reluctant but it has made so much progress in recent years and reduces Photoshop from my workflow less and less as new releases come about. I’m excited by what is yet to come.

Capturing the Image

The photo was captured during the day with a 50 second exposure at F/8 using a Canon 5d Mark II, Canon 17-40, Cokin Z-Pro graduated neutral density filter, B+W 110 ND, tripod and control.  In case you’re not familiar with day time long exposures, I’ve got a small post on my blog about daytime long exposures which goes into detail on how it works and the equipment needed. I love the way long exposures can transform a scene by smoothening the water or clouds of a scene.

For this image, I used a neutral density filter and graduated neutral density filter (for the sky) to smoothen the water and clouds to give a minimalist feel.The clouds were quite patchy and thanks to the wind, I was able to use the long exposure to subtly blur them and give them this look.

Post Processing

Split toning settings used for this image
Split toning settings used for this image

Post processing this image was heavily geared around playing with the split toning feature of Adobe Lightroom to introduce a cold feel to the image. I went into quite a bit of detail in an earlier post about Lightroom’s Split Toning which may be of interest to those not familiar with it. Through using the split toning feature, you are able to introduce a tone to either your shadows or highlights. It’s really handy and I’ll often use it to add a subtle hint of a colour to either my shadows or highlights. Often I’ll add a very subtle yellow/orange to my highlights to give a warmer feel to the image.

Once the split toning was applied, I made some subtle adjustments to curves, boosting the shadows ever slightly, adjusting the saturation and clarity of the image.

And that is how my self portrait at St Helen’s was captured and post processed. I hope this post was useful 🙂

As always If you have any questions or comments feel free to leave a comment or drop an email. Always happy to help or chat 🙂

– Alex


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Fireworks at Moomba 2014

Moomba Fireworks
Up in the sky - Shot with the Fujifilm X100
Up in the sky – Shot with the Fujifilm X100
Long exposure of a ride at Moomba
Long exposure of a ride at Moomba

Moomba 2014

Every year Melbourne puts on the Moomba Festival. Having lived in Melbourne for a few years I’m still struggling to get the attraction of it. I probably shouldn’t say this but really it’s filled with tacky rides, awful food (although actually I don’t mind a dagwood dog so I’ll take that back), ridiculous crowds and people wake boarding in the Yarra (I run along this often and even when I’ve ran in 35+c heat that water still isn’t tempting if you’re catching what I’m throwing).

This year I was pretty eager to take some photos of the fireworks at Moomba and had scoped out a location a few weeks prior to the festival. Slightly neglecting the fact that every man and his dog would be at Moomba my planned location wasn’t going to happen (Swan St Bridge in case anyone was curious). The plan was to get there early around sunset, take some photos of blue hour to get some detail in the sky then capture some photos later of the fireworks and pull a sneaky and do some layer masking of the images to create some dynamic range with the buildings well lit from the blue hour, colour in the sky from the sunset and fireworks completing the image.  Quickly realising there was no chance I would be able to setup a tripod on the bridge due to the amount of people crossing it, we (my partner in crime – Jon Sander) made our way down to Southbank to find a location which avoided the crowds slightly. We were in luck and setup an hour or so before the fireworks begun. Lucky we did as it soon became crowded as the fireworks neared.

Fireworks at Moomba

Moomba Fireworks
Fireworks at the 2014 Moomba Festival

Some tips for shooting fireworks

I’ll be the first to admit – I’m not completely happy with the shot and underestimated that shooting fireworks is actually not as easy as it looks.  People make it look easy!  Here’s a few things I learnt and would encourage anyone to consider when you photograph fireworks:

  • Get close  – We were slightly too far from the action which resulted in the fireworks appearing small and created a lot of empty space in the sky. Although framing your shot with empty space in the sky isn’t necessarily a bad thing as it leaves you prepared for any spectacular fireworks towards the end which might near the top of your frame
  • Shoot in manual mode – I’d recommend starting a test shot at the start of the fireworks in either Shutter or Aperture priority mode to gauge what exposure time you need for the fireworks and then change to manual mode and dial in these settings.  I’d recommend exposure times of around 2-10 seconds but it’s up to you and something best found from experimenting. This will come in handy when you’re firing frames with the remote trigger. But don’t get complacent and be sure to check your exposure occasionally to ensure that you’re not over or under exposing too much
  • Use a tripod and remote trigger – When shooting fireworks you’ll be shooting exposure times of a few seconds so a tripod is a must. I’d also recommend a remote trigger as once you’ve dialed in your exposure time, stand back and press the trigger as the fireworks go up.  I like this as it allows you to be looking at the action rather than through the viewfinder (so you won’t miss a good moment)
  • Go trigger happy – Keep firing those frames so you don’t miss that great moment. Fireworks are random with some looking great then others not so great. I fired off 90 over the course of 15 minutes with only a couple being how I wanted them
  • Consider your location in advanced – I tried to plan my location in advanced and failed in terms of choosing a location too crowded and also didn’t consider where the fireworks would be launched from. When looking for a location make sure it’s something that’s slightly elevated to avoid getting people’s heads bobbing up in your shot during the exposure. Also it doesn’t hurt to do some research to where the fireworks will be launched from so you can setup accordingly
  • It’s not all about the fireworks – Don’t get me wrong a close up shot of fireworks looks great but try to consider your surrounds. In this case I wanted to capture buildings that surround the Yarra River to give some context so people would instantly recognise where the photo was taken
  • Shoot at a low ISO – Most fireworks displays happen after blue hour which means you will be shooting in dark black skies. Shooting at a high ISO in these conditions will introduce a lot of noise and I’d recommend against it especially if you’re trying to get a long exposure of the fireworks
Post photo cider. Not so sure about serving cider in a wine glass but anyway...
Post photo cider. Not so sure about serving cider in a wine glass but anyway…

All in all though, it was a fun night out and we both sat down for a drink afterwards and had a chuckle about the crowds and how everything we’d originally planned to do didn’t happen. But really that’s photography for you and part of  the fun. Sometimes you can do all the planning in the world and it doesn’t work out. But at the end of the day, it was a beautiful warm Melbourne evening, good to get out and fire off some photos and mix things up a little.

 The end of a good night out

But before I finish up we made our way back to the car (as did half of Melbourne apparently) and spent a good hour getting out of the car park. This created a nice opportunity to snap a quick self portrait in the carpark. I was aiming for a style similar to a late friend, Tarsh, who shot empty urban landscapes.  It got some strange stares from people passing by but killed the time as we waited to get out of the car park and finally make our way home.

Thanks for reading,

– Alex

Alex Wise self portrait

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St Kilda Pier

st kilda

On Wednesday I caught up with photographer Jon Sander for some snaps down St Kilda way. For most of the day the weather looked awful with gloomy overcast and no glimpse of any blue sky. Melbourne being Melbourne the weather cleared up just on sunset which created perfect conditions to photograph St Kilda Pier in.

It was the first time I’d made my way to St Kilda Pier since moving to Melbourne last year. Having seen many photos I was keen to get down there and get some photos of  my own. Upon arriving I couldn’t get over how many people (mostly tourists) were down at the pier. Without realising the St Kilda Pier is also popular for its penguins (located behind the building in the above photo). This made my plan of getting a nice photo of the pier without anyone in the photo slightly difficult.

st kilda pier

Fortunately long exposures aren’t just for blurring of water and clouds for interesting effects but is also useful for blurring out passing by pedestrians. Assuming the people passing by won’t stop for much longer than a few seconds, you should be able to capture the scene as if it was empty.

Of course this isn’t always as easy as it sounds and I did have one or two frames where people stood in front of the frame for a little too long and appeared in the frame but finally I got one which was empty. It’s a neat little trick that works great for crowded place just like this. If you have somewhere near you that is constantly busy and hard to get a photo when it’s empty then give this trick a try.

After the sunset disappeared we started to make our way home with a quick stop at an overpass not far from the pier for some long exposures of the passing traffic and the odd self portrait. It was a fun evening and good to get some more shots in around Melbourne.

– Alex

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Elwood Beach – Long Exposure Photography

13.30 minute exposure at f.8 - Canon 5D Mark II - Canon 17-40 - tripod - remote - Cokin Z-Pro .9 neutral density grad, B+W 110 neutral density filter

25 second exposure at f.14 – Canon 5D Mark II – Canon 17-40 – tripod – no filters

Last night I took a trip down to Elwood in hope of taking some long exposures of the already overshot old jetty. Unfortunately it was gone and replaced with an eye sore square of concrete. Where had it gone? Eroded by too many photographers digging their tripod legs into the aged wood? I kid I kid. A little disappointed I took a stroll up the beach in the 30 degree heat looking for an alternative and came across these interesting rocks. I’m not overly fond of the images but it’s always nice to explore new locations even if slightly disappointing.